New York : Pantheon Books, 1986.
159 p. : chiefly ill. ; 24 cm.
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|Art Spiegelman was born in Stockholm, Sweden on February 15, 1948. He is the son of Polish Jews who survived imprisonment in Auschwitz. His family immigrated to the United States. He became a professional cartoonist at the age of 16. He studied art and philosophy at Harpur College. <p> He became a creative consultant, designer, and writer for Topps Chewing Gum, Inc., where he created Wacky Packages, Garbage Pail Kids and other novelty items. The Complete Mr. Infinity was published in 1970 and won the Joel M. Cavior Award for Jewish Writing. In 1980, Spiegelman and his wife, Françoise Mouly founded the avant-garde comics magazine RAW. His best known work Maus: A Survivor's Tale, was published in 1986 and won the Pulitzer Prize in 1992. His other works include Maus: A Survivor's Tale II, In the Shadow of No Towers, Breakdowns, Jack and the Box, Be a Nose, and The Ghosts of Ellis Island. MetaMaus won the 2011 National Jewish Book Award in the Biography, Autobiography, and Memoir category. <p> (Bowker Author Biography) Art Spiegelman is the Pulitzer Prize-winning author of "Maus" and "Maus II". His work has been published in more than sixteen languages and has appeared in "The New York Times", "Village Voice", and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992 and lives in Manhattan. <p> (Publisher Provided)|
|World War II|
|Poland - Europe|
Large Cover Image
School Library Journal Review
|YA Told with chilling realism in an unusual comic-book format, this is more than a tale of surviving the Holocaust. Spiegelman relates the effect of those events on the survivors' later years and upon the lives of the following generation. Each scene opens at the elder Spiegelman's home in Rego Park, N.Y. Art, who was born after the war, is visiting his father, Vladek, to record his experiences in Nazi-occupied Poland. The Nazis, portrayed as cats, gradually introduce increasingly repressive measures, until the Jews, drawn as mice, are systematically hunted and herded toward the Final Solution. Vladek saves himself and his wife by a combination of luck and wits, all the time enduring the torment of hunted outcast. The other theme of this book is Art's troubled adjustment to life as he, too, bears the burden of his parents' experiences. This is a complex book. It relates events which young adults, as the future architects of society, must confront, and their interest is sure to be caught by the skillful graphics and suspenseful unfolding of the story. Rita G. Keeler, St. John's School , Houston (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.|
|Raw co-editor Spiegelman's compelling telling of his father Vladek's life story, that of a middle-class Polish Jew who survived the Nazi death camps. The first six chapters of the work-in-progress are collected here and employ a simple, chillingly effective iconography: Jews have the faces of mice; the Nazis, those of cats. [BKL S 1 86]|
|The first installment of the Pulitzer Prize-winning graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" ( Wall Street Journal ) and "the first masterpiece in comic book history" ( The New Yorker ).<br> <br> A brutally moving work of art--widely hailed as the greatest graphic novel ever written-- Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.<br> <br> Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.|
Table of Contents
|1||The Sheik||p. 9|
|2||The Honeymoon||p. 25|
|3||Prisoner of War||p. 41|
|4||The Noose Tightens||p. 71|
|5||Mouse Holes||p. 95|
|6||Mouse Trap||p. 129||
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